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Disappointing Grade

from Beneath California by Retox

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    The world is falling apart one day at a time, and the majority of us sit and watch as if attending a public hanging—more and more, our interest is piqued by the appalling, while our thoughts and reactions remain largely absent. When stripped of the bloated, festering egos that so many cling to in order to feel important, we are nothing more than ugly animals. In a society that is predominantly dormant, Retox brings this reality to the forefront in a forward-thinking way, commanding our ever-rapidly-decreasing attention spans and determined to provoke some kind of visceral response, good or bad.

    Consisting of Justin Pearson (The Locust, Head Wound City, Deaf Club, Swing Kids), Michael Crain (Dead Cross, Festival of Dead Deer, Kill the Capulets), Brian Evans, and Keith Hendriksen (Kill the Capulets, Virginia Reed), Retox is marked by a speed and sound that seeks to shatter apathy. Since their conception in 2011, they have toured with similarly like-minded acts such as Melt-Banana, Tomahawk, OFF!, The Dillinger Escape Plan, and Doomsday Student, physically bringing every bit as much intensity as the music itself incites intellectually.

    Coming off of their sophomore album, “YPLL” (Years of Potential Life Lost), Retox have emerged from the collective depths of San Diego and Los Angeles with their latest antagonistic efforts, entitled “Beneath California”. Varying styles and sonically experimenting, melding the raw with the refined, the band continuously teases yet never settles on any one genre-- aside from perhaps (as members of the band itself have referred to their work) “annoying”. Tracks such as “Death Will Change Your Life” spit cynical lyrics drenched in rapid-fire rhythm: “All those who have died before me, forgot trustees, cleaned streets with parolees/They dragged everything into the sea, the filth and the debris, and hoped none would see.”

    Overall, Retox simultaneously seems to reflect and defy, using music as a way of holding a broken mirror to the rest of us, exposing different pieces of our own fucked up realities, and forcing the acknowledgement of the inevitable self-imposed apocalypse we are creating for ourselves.

    Includes unlimited streaming of Beneath California via the free Bandcamp app, plus high-quality download in MP3, FLAC and more.
    ... more
    shipping out on or around April 19, 2024
    edition of 250 
    Purchasable with gift card

      $25.99 USD or more 

     

  • Record/Vinyl + Digital Album

    The world is falling apart one day at a time, and the majority of us sit and watch as if attending a public hanging—more and more, our interest is piqued by the appalling, while our thoughts and reactions remain largely absent. When stripped of the bloated, festering egos that so many cling to in order to feel important, we are nothing more than ugly animals. In a society that is predominantly dormant, Retox brings this reality to the forefront in a forward-thinking way, commanding our ever-rapidly-decreasing attention spans and determined to provoke some kind of visceral response, good or bad.

    Consisting of Justin Pearson (The Locust, Head Wound City, Deaf Club, Swing Kids), Michael Crain (Dead Cross, Festival of Dead Deer, Kill the Capulets), Brian Evans, and Keith Hendriksen (Kill the Capulets, Virginia Reed), Retox is marked by a speed and sound that seeks to shatter apathy. Since their conception in 2011, they have toured with similarly like-minded acts such as Melt-Banana, Tomahawk, OFF!, The Dillinger Escape Plan, and Doomsday Student, physically bringing every bit as much intensity as the music itself incites intellectually.

    Coming off of their sophomore album, “YPLL” (Years of Potential Life Lost), Retox have emerged from the collective depths of San Diego and Los Angeles with their latest antagonistic efforts, entitled “Beneath California”. Varying styles and sonically experimenting, melding the raw with the refined, the band continuously teases yet never settles on any one genre-- aside from perhaps (as members of the band itself have referred to their work) “annoying”. Tracks such as “Death Will Change Your Life” spit cynical lyrics drenched in rapid-fire rhythm: “All those who have died before me, forgot trustees, cleaned streets with parolees/They dragged everything into the sea, the filth and the debris, and hoped none would see.”

    Overall, Retox simultaneously seems to reflect and defy, using music as a way of holding a broken mirror to the rest of us, exposing different pieces of our own fucked up realities, and forcing the acknowledgement of the inevitable self-imposed apocalypse we are creating for ourselves.

    Includes unlimited streaming of Beneath California via the free Bandcamp app, plus high-quality download in MP3, FLAC and more.
    ... more
    shipping out on or around April 19, 2024
    edition of 250 
    Purchasable with gift card

      $25.99 USD or more 

     

  • T-Shirt/Shirt

    Retox - Bernardine Dohrn T-shirt
    ships out within 10 days
    Purchasable with gift card

      $24.99 USD or more 

     

  • T-Shirt/Shirt

    Retox - Mark Rudd T-shirt
    ships out within 10 days
    Purchasable with gift card

      $24.99 USD or more 

     

lyrics

Spend the night, the meat has thawed. So suck the shit, birth more fraud. When the firing squad had me applaud, I knew I was too clever for god. Who’s still Christian? Stale bread for stale tradition. Superstition? Hire a bad magician. Bad condition? Go bald for recognition. Fire some more ammunition. Enter mission… double decomposition. Screw nutrition in missionary position. Politician. “Fuck work” with repetition. Rescue mission is just superstition. And so life began at erection. Where did you start? Awe, who cares for the most part? You can go fuck an imaginary body part. Looks like rotten meat in a stolen shopping cart. Now try to sort of push restart.

credits

from Beneath California, released February 10, 2015

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Retox California

Years of potential life lost.

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